Rialto Sydney Stripe Women s Sydney Flat Navy B077GCQ2Z1 Stripe f5a04e7




Man Made Upper
Made in USA or Imported
Cross over, rover. Life is sweet on the sunny side of the world.
Sleek synthetic upper with reflective panels.
Slip-on construction.
Brand appliqué at toe.
Closed toe. Smooth man-made lining and insole. Textured synthetic outsole. Imported. Measurements: Weight: 5 oz Product measurements were taken using size 7.5, width B - Medium. Please note that measurements may vary by size.

UPDATES   ARTWORKS   WRITINGS   SCIENCE   LINKS   CONTACT   GALLERIES   BIO





Featured art of the Month, Cameo
Click for a closer look


Welcome to the personal art and counter-criticism site of
MILES   WILLIAMS   MATHIS


Resume or CV        blurb        Extended Bio

Co-founder of
La Guilde de la Blanchepierre
(The Guild of the White Stone)



please feed the web-kitty

use PAYPAL










^ The Triptych Altarpiece of ^
Harriet Westbrook Shelley
[15 feet (4.5 meters) tall]
link to detail photos




An Introduction to the Argument
against the Avant Garde

What would he do// Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,// Make mad the guilty and appal the free,
Confound the ignorant and amaze indeed// The very faculties of eyes and ears.
                                                                                            
Hamlet

I am the chasm odonton—the mouthful of teeth. The ripper of armchairs: the ghost of Tolstoy, the right arm of Caravaggio, the sword of Cellini.

Beware Ye of Troy, I come bearing gifts. Words that shall bring your houses down upon you.

The artist James McNeill Whistler subtitled his famous book of letters
"Messieurs les Ennemis"Sirs, My Enemies!" That was in 1890. But such joyful antagonism is not stylish these days. It is one thing to quote Nietzsche, as everyone on both sides of every argument now does; it is another thing entirely to write like him....

This is the age of appeasement, of subordination. The artist is no longer the font; he is the shallow pool. Not the oracle, but the sump. The collection point of a thousand polluted expectations. The political tool of the untalented. The residue of education. The

Rialto Sydney Stripe Women s Sydney Flat Navy B077GCQ2Z1 Stripe f5a04e7 - cst-cannes.info

handmaiden of the self-appointed in social criticism.

For the critics have dished it out over the last hundred years, vilifying all, dismissing everyone and everything that could not Rialto Sydney Stripe Women s Sydney Flat Navy B077GCQ2Z1 Stripe f5a04e7 be "pinned and wriggling on the wall."

And the artist was silent.

Under the Rialto Sydney Stripe Women s Sydney Flat Navy B077GCQ2Z1 Stripe f5a04e7 Usurper's rule, modern art has become like Lewis Carroll's four

Luoika Women s Wide Width Flat Shoes - Comfortable Slip On Round Toe Ballet Flats Black Leather Marc Joseph New York Women s Cypress Hill Loafer Lavender Snake , ALDO Women s Gemona Ballet Flat Black Leather Propet Women s Cameo Flat Maroon Bernie Mev Women s Gummies Charm Flat Black , CLARKS Women s Cheyn Madi Slip-on Loafer Dark Brown Tumbled Leather , TOMS Women s Deconstructed Alpargata Casual Shoe Taupe Gus & Jaq Canvas LifeStride Women s Adalene Ballet Flat Black , Jessica Simpson Women s Lynsey Ballet Flat Warm Taupe , Dr. Scholl s Shoes Women s Friendly2 Ballet Flat Black Patent Elegance Glaze Women s Jelly Ballet Flat Black , Rockport Women s Total Motion Novalie Dress Pump Black Suede , Aerosoles A2 Women s Envelope Flat Grey Fabric Sam Edelman Women s Rodney Ballet Flat Blue Shadow Silk Dupioni Crocs Women s Swiftwater Wave Sandal Smoke Chinese Laundry Women s Endless Summer Ghillie Flat Camel Suede SoftWalk Women s Norwich Ballet Flat Graphite Franco Sarto Women s Augustine Black DREAM PAIRS Women s Sole-Shine Rhinestone Ballet Flats Shoes Gold , Hush Puppies Burlesque Black Blue by Betsey Johnson Women s Sb-Ava Pointed Toe Flat Silver/Metallic , Trotters Women s Josie Mary Jane Flat Dark Blue Rockport Women s Cobb Hill Janet Wedge Pump Stormy Grey TOMS Women s Classic Linen Rope-Sole Comfortable and Easy-Fit Slip-On Red Mahogany Rockport Women s Adelyn Ballet Flat Nude Am Lux TOMS Men s Classic Canvas Slip-On Black Lace 2 , Trotters Women s Liz Loafer Black Kaitlyn Pan Pointed Toe Studded Ballerina Leather Flats Green Patent/Nude Trim/Gold Studs , Meeshine Womens Square Toe Bowknot Ballet Comfort Slip on Flats Shoes Black
branches of arithmetic: "ambition, distraction, uglification and derision."

And the artist was silent.

In the Merrell Men s Tetrex Crest Wrap Sport Sandal Navy , Ariat Men s Sport Patriot Western Boot Distressed Brown/Sage Camo Print Under Armour Men s Speedfit Hike Low Stoneleigh Taupe / Graphite Thursday Boot Company Captain Men s 6" Lace-up Boot Midnight Suede Roymall Women s Satin Latin Dance Shoes With Rhinestone Ballroom Salsa Tango Performance Shoes,Model AF430 Capezio Hanami Ballet Dance Shoe HROYL Women s Latin/Chacha/Samba/Jazz/Modern Dance Shoes Sequins Ballroom A3US-259 Charm Foot Fashion Fringed Womens Platform Mid Calf Boots Black , Wood n Stream Men s 1004 Interceptor Boot Brown 50 Shades Of Silver Dance Shoes:Comfort Evening Dress Wedding Pumps, Ballroom Shoes For Latin, Tango, Salsa, Swing, Theather Art by 50 Shades (2.5", 3" & 3.5" Heels) Baffin Men s Truro Snow Boot Brown , Nike Men s Air Zoom Pegasus 33 Wolf Grey/Black/Dark Grey/Blue , Under Armour Men s Micro G Fuel Blackout Navy (997)/Glacier Gray NIKE Women s Free 5.0 TR Fit 5 Training Shoe Black/Volt/White , adidas Originals Men s Freak X Carbon Mid Cross Trainer White/Carbon Metallic/Light Onyx Journee Collection Womens Regular and Wide Calf Faux Lace-up Distressed Over-the-knee Boots Grey , VOCOSI Women s Round Toe Ankle Boots Stilettos High Heels Classic Dress Booties Black(022/Matte) , VELHO Movement Shoes White 5.11 Tactical Men s Recon Trainer Cross-Training Shoe Dark Coyote , Nike Golf Lunar Command 2 Shoes White/Black/White CLARKS Women s Keesha Luca Slip-On Loafer Black Linen Brinley Co Womens Faux Leather Almond Toe Strappy Flats Grey Klogs USA Women s DUSTY Clog Chestnut Charles Albert Women s Knotted Pattern Round Toe Ballet Flats Camouflage West Blvd Womens BALLET Flats Slip On Shoes Ballerina Slippers Black Suede Sperry Women s, Coil Mia Slip on Shoes Black , Naturalizer Women s flat Flexy Navy Reebok Men s Cycle Attack U Cycling Shoe Black/High Vis Green/White Attack on Titan Shingeki No Kyojin Levi Ackerman Shoes Canvas Shoes Sneakers White/Black White 1 CLARKS Womens Un Haven Lace Black Leather protracted squabblings among these purveyors of taste, both form

Rialto Sydney Stripe Women s Sydney Flat Navy B077GCQ2Z1 Stripe f5a04e7 - cst-cannes.info

and content have deconstructed; and the homunculi and homunculae have ascended the throne, naming their horses and gerbils co-consuls.

And the artist has remained silent.

But as Whistler—the Master of Badinageput it, "Art, that for ages has hewn its own history in marble and written its own comments on canvas, shall it suddenly stand still and stammer, and wait for wisdom from the passer-by, for guidance from the hand that holds neither brush nor chisel? Out upon the shallow conceit!"

It is time for the artist to speak! To crawl out from under the woodpile and to stamp his feet. To reclaim the armor of Athena and demand his inheritance from the Witchking. To bend the bow and pierce the axeheads and slay the suitors. To load the sling.

It may be asked, what of the other "artists?" What of the ironmongers, the paintspillers, the gluemen, the undertakers? Isn't your quarrel with them? No. There are no artists in that quarter. Only critics. Critics who flap and critics who chirp. But the critics who chirp are the louder. It is the critics who explain the onanism, the mastication, the ululation and defecation who must be outslandered, outbuggered, undercut and overtopped. Trimmed and fluffed. Defeathered and retarred.

It is thought that I am mad. But follow me through the gentle maze, and listen. Clement Greenberg, the Pope of Presumption, said of painting in Rialto Sydney Stripe Women s Sydney Flat Navy B077GCQ2Z1 Stripe f5a04e7 1949:

Though it started on its "modernization" earlier perhaps than the other arts, it has turned out to have a greater number of expendable conventions embedded in it, or these at least have proven harder to isolate and detach. As long as such conventions survive and can be isolated, they continue to be attacked in all the arts that intend to survive in modern society.

Here is the green worm at the core. The seed of the wart. Because Mr. Greenberg could smoke more cigs than anyone else, he got the title page, the banner, the masthead, and everyone since has written in very small letters
I must make art that is about art over and over until the book is finished, the corpse burned and the ashes scattered. A non-artist will tell us what artistic conventions are expendable. The most galling thing though is that "intend to survive" threat. As if the artist need justify his existence to the critic. But I am the primary producer here: you can justify yourself to me, you future footnote, you Eunuch of the Muses!

Arthur Danto wrote, in 1995,

It was as though there were some internal historical development in the course of which art came to a kind of philosophical self-awareness of its own identity. In a curious and somewhat Flats perverse way, I thought, art has turned into philosophy. From now on the task is up to philosophers, who know how to think in the required way.

Arthur Danto, former philosophy professor, Columbia University. Now art critic, The Nation. I have only one question. A question of grammar. Does "in a curious and somewhat perverse way" modify "art has turned" or "I thought"?

Basta! Finito! The whole claim of modern art is so absurd it isn't worth pursuing any further! The very existence of such theories, their acceptance by anyone, is cause for a decade of Weltschmerz, of weeping and rending of tunics. It may seriously call for some sort of ritual cleansing, an act of purification, an offering to the gods. A bevy of frenzied virgins to tear some smug bastard in Soho limb from limb for his sins to art. At least an off-Broadway tragedy of Sophoclean splendor, with wild-haired Corybantes whirling in their bacchanalian madness, depicting this catharsis.

Oh Fathers and Teachers, I claim that analysis is not art. Philosophy is not art. Politics is not art. Destruction is not art. Framing is not art. Finding is not art. Thinking is not art. Randomness is not art. Pathology is not art. Everything that a fool does easily is not art.

Fathers and Teachers, I claim that art is rare. Art requires talent. Art requires isolation. Art requires depth. Art requires subtlety. Art requires mystery. Art requires emotion. Art requires inspiration. The artist tells you what he must do, not what you must do.

Fathers and Teachers, I maintain that all art stands upon two legs: craftsmanship and character. Technique is not art. Emotion is not art. Together they may be art. Or not.

Oh, Fathers and Teachers, to the young artist ask first this question: would you rather be the greatest artist of the 21st century and be unknown during your lifetime; or be the richest artist and know the ghosts of Michelangelo and Van Gogh are laughing at you?

We must burn the fields and plow twice and find fresh seed. The error runs too deep. We must change the binary code from 0's and 1's to 3's and 8's. The gravitational forces have become too strong, and the young artist cannot get out of bed, much less hang the sky and kiss the cloudfroth. Even Vincent had to live on the outskirts of a dying star; now he would have to survive on the lip of the Black Hole. We need forty days of rain and a smallish Ark.

All of history lies at our feet. The ground is so rich it stinks of fertility. And yet we paint, or paint over, the same things each morning, shoe and unshoe the same horse ad nauseum. Someone paints a saint and someone else defiles it. A man in Jackson Hole paints a landscape and a woman in New York City rapes herself upon it. All sequels. All reactionary. The avant garde even more than the merest bowl of fruit. The sage of the university says, "but there is nothing new under the sun." Not until we create it, Brother Ass. Refrain from breathing all the available air for a moment, refrain from blocking all the light, and see what lovely vines begin curling out of the earth!





Russian Girl. oil. 28 x 18 in.                              Joachim. charcoal. 16 x 12 in.

0
1
2
3
4
5
6
7
8