RIEKER Men Braun s Brogue Chelsea Brown Boot RIEKER s (37681-25) Braun ee64278




Leather
Synthetic sole
Leather Uppers
Warm fleece textile lining
Manmade soles
Pull on ankle boots
Versatile design ideal for all occasions

UPDATES   ARTWORKS   WRITINGS   SCIENCE   LINKS   CONTACT   GALLERIES   BIO





Featured art of the Month, Cameo
Click for a closer look


Welcome to the personal art and counter-criticism site of
MILES   WILLIAMS   MATHIS


Resume or CV        blurb        Extended Bio

Co-founder of
La Guilde de la Blanchepierre
(The Guild of the White Stone)



please feed the web-kitty

use PAYPAL










^ The Triptych Altarpiece of ^
Harriet Westbrook Shelley
[15 feet (4.5 meters) tall]
link to detail photos




An Introduction to the Argument
against the Avant Garde

What would he do// Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,// Make mad the guilty and appal the free,
Confound the ignorant and amaze indeed// The very faculties of eyes and ears.
                                                                                            
Hamlet

I am the chasm odonton—the mouthful of teeth. The ripper of armchairs: the ghost of Tolstoy, the right arm of Caravaggio, the sword of Cellini.

Beware Ye of Troy, I come bearing gifts. Words that shall bring your houses down upon you.

The artist James McNeill Whistler subtitled his famous book of letters
"Messieurs les Ennemis"Sirs, My Enemies!" That was in 1890. But such joyful antagonism is not stylish these days. It is one thing to quote Nietzsche, as everyone on both sides of every argument now does; it is another thing entirely to write like him....

This is the age of appeasement, of subordination. The artist is no longer the font; he is the shallow pool. Not the oracle, but the sump. The collection point of a thousand polluted expectations. The political tool of the untalented. The residue of education. The

RIEKER Men Braun s Brogue Chelsea Brown Boot RIEKER s (37681-25) Braun ee64278 - cst-cannes.info

handmaiden of the self-appointed in social criticism.

For the critics have dished it out over the last hundred years, vilifying all, dismissing everyone and everything that could not RIEKER Men Braun s Brogue Chelsea Brown Boot RIEKER s (37681-25) Braun ee64278 be "pinned and wriggling on the wall."

And the artist was silent.

Under the RIEKER Men Braun s Brogue Chelsea Brown Boot RIEKER s (37681-25) Braun ee64278 Usurper's rule, modern art has become like Lewis Carroll's four

Blundstone Unisex Dress Series Black , Testosterone Men s Arch Way Boot Grey Eastland Men s Daily Double Chelsea Boot Chocolate , Steve Madden Men s Teller Chelsea Boot Black Suede Dr. Martens Men s B8250 Slip-On Dealer Boot Black Fulinken Genuine Leather Mens Brogue Formal Dress Shoes Business Boots Wingtip Chelsea Boots Plain Toe Black , Giorgio Brutini Men s 15549 Boot Undyed Natural , Ariat Men s Spot Hog Western Cowboy Boot Peanut , ECCO Men s Knoxville Chelsea Boot Black Bruno Marc Men s Stone Motorcycle Combat Dress Oxford Snow Boots 05-dark Brown , Bruno Marc Men s Stone Motorcycle Combat Dress Oxford Snow Boots 02-khaki Blundstone Super 550 Series Boot Black , Florsheim Men s Duke Side Zip Dress Boot Gray Ted Baker Men s Lykeen Chelsea Sneaker Grey , Laredo Men s Long Haul Boot Black , MORAL CODE Storm Hand Crafted Premium Men s Leather Chelsea Boot Oak Leather , alpine swiss Men’s Nash Chelsea Boots Snakeskin Ankle Boot Genuine Leather Lined Black , Fulinken Genuine Leather Pointed Toe Chat Zip Men Formal Shoes Dress Boots Ankle Boots Glossy Blue To Boot New York Men s Toby Chelsea Boot Black , Tommy Hilfiger Men s Crane Chelsea Boot Navy , Globalwin Mens 1638 Chelsea Boots 68grey Dunham Men s James-dun Chelsea Boot Black , Timberland Men s Carter Notch Chelsea Boot Dark Brown Full Grain Joules Men s Chelton Chelsea Boot Tan Drew Shoe Men s Big Easy Boot Brown Leather , Caterpillar Men s Pelton Industrial and Construction Shoe Dark Beige , Dr. Scholl s Shoes Men s Ripley Chelsea Boot Syrup Leather , Laredo Men s Long Haul Boot Black , Georgia Boot Men s Georgia Gr270 Giant Romeo Work Shoe Black ,
branches of arithmetic: "ambition, distraction, uglification and derision."

And the artist was silent.

In the Ariat Men s Workhog Pull-On Boot Aged Bark/Army Green OOLIVUPF Mens Water Shoes Quick Dry Beach Swim Shoes Barefoot Aqua Shoes Black/White Thorogood Men s American Heritage 6" Classic Plain Toe, Safety Toe Boot Walnut , Mordenmiss Men s Summer New Leather Beach Slippers Sandals Mm13 Yellowish Brown , SENFI Water Shoes Unisex Barefoot Outdoor Athletic Aqua Shoes for Beach Pool Surf Exercise (Men/Women) 03green , 900 Global Tour Ultra Bowling Shoes Black/Blue , BSI Women s Classic Bowling Shoe Black/Blue , Miyoopark Women s Kitten Heel Satin Latin Dance Shoes , Ellie Shoes Women s 103-Alba Boot Brown , Columbia Women s Minx Slip Ii Omni-Heat Snow Boot Shale, Dark Raspberry , Beeagle Womens Mens Unisex Clogs Comfortable Lightweight Walking Garden Shoes Slippers Quick Drying Sandals 36-45 Light Blue , Ferrini Men s Teju Lizard S-Toe Western Boot Black , Stetson Women s Vivi Snip Work Boot Brown SoftWalk Women s Abby Clog Cognac Full Grain Nappa SoftWalk Women s Mason Clog Black New Balance Women s 40v1 Minimus Cross Trainer Light Blue Report Women s Dilena Western Boot Black , Nike Men s Air Zoom Pegasus 33 Ember Glow Under Armour Women s Street Precision Sport Low Gray Matter (289)/White adidas Men s Adicross Bounce Golf Shoe Hi-res Red/Black/White , ALBBG Embroidered Chinese Style Embroidery Flats Ballet Crafts Women s Shoes Beige Black Black-1 Lucky Brand Women s Ratann Riding Boot Honey 1.STATE Womens Paiton Leather Pointed Toe Knee High Fashion Boots Black Prestige Leather Donald J Pliner Women s Caye Fashion Boot Black Women Pointy Toe Single Flower Instep Strap Flat Mule - HG66 by Betani Collection Black Faux Suede , Naturalizer Women s Brittany Ballet Flat Taupe Metallic Adidas Performance Men s PowerAlley 4 Baseball Shoe Collegiate Royal/White/Silver Metallic Re:ZERO Starting Life in Another World Cosplay Shoes Canvas Shoes Sneakers Black/White 2 White 6 Vans Unisex Old Skool Classic Skate Shoes Black/Blanc De Blanc Sebago Women s Meriden Kiltie Oxford Cognac Nubuck protracted squabblings among these purveyors of taste, both form

RIEKER Men Braun s Brogue Chelsea Brown Boot RIEKER s (37681-25) Braun ee64278 - cst-cannes.info

and content have deconstructed; and the homunculi and homunculae have ascended the throne, naming their horses and gerbils co-consuls.

And the artist has remained silent.

But as Whistler—the Master of Badinageput it, "Art, that for ages has hewn its own history in marble and written its own comments on canvas, shall it suddenly stand still and stammer, and wait for wisdom from the passer-by, for guidance from the hand that holds neither brush nor chisel? Out upon the shallow conceit!"

It is time for the artist to speak! To crawl out from under the woodpile and to stamp his feet. To reclaim the armor of Athena and demand his inheritance from the Witchking. To bend the bow and pierce the axeheads and slay the suitors. To load the sling.

It may be asked, what of the other "artists?" What of the ironmongers, the paintspillers, the gluemen, the undertakers? Isn't your quarrel with them? No. There are no artists in that quarter. Only critics. Critics who flap and critics who chirp. But the critics who chirp are the louder. It is the critics who explain the onanism, the mastication, the ululation and defecation who must be outslandered, outbuggered, undercut and overtopped. Trimmed and fluffed. Defeathered and retarred.

It is thought that I am mad. But follow me through the gentle maze, and listen. Clement Greenberg, the Pope of Presumption, said of painting in RIEKER Men Braun s Brogue Chelsea Brown Boot RIEKER s (37681-25) Braun ee64278 1949:

Though it started on its "modernization" earlier perhaps than the other arts, it has turned out to have a greater number of expendable conventions embedded in it, or these at least have proven harder to isolate and detach. As long as such conventions survive and can be isolated, they continue to be attacked in all the arts that intend to survive in modern society.

Here is the green worm at the core. The seed of the wart. Because Mr. Greenberg could smoke more cigs than anyone else, he got the title page, the banner, the masthead, and everyone since has written in very small letters
I must make art that is about art over and over until the book is finished, the corpse burned and the ashes scattered. A non-artist will tell us what artistic conventions are expendable. The most galling thing though is that "intend to survive" threat. As if the artist need justify his existence to the critic. But I am the primary producer here: you can justify yourself to me, you future footnote, you Eunuch of the Muses!

Arthur Danto wrote, in 1995,

It was as though there were some internal historical development in the course of which art came to a kind of philosophical self-awareness of its own identity. In a curious and somewhat Chelsea perverse way, I thought, art has turned into philosophy. From now on the task is up to philosophers, who know how to think in the required way.

Arthur Danto, former philosophy professor, Columbia University. Now art critic, The Nation. I have only one question. A question of grammar. Does "in a curious and somewhat perverse way" modify "art has turned" or "I thought"?

Basta! Finito! The whole claim of modern art is so absurd it isn't worth pursuing any further! The very existence of such theories, their acceptance by anyone, is cause for a decade of Weltschmerz, of weeping and rending of tunics. It may seriously call for some sort of ritual cleansing, an act of purification, an offering to the gods. A bevy of frenzied virgins to tear some smug bastard in Soho limb from limb for his sins to art. At least an off-Broadway tragedy of Sophoclean splendor, with wild-haired Corybantes whirling in their bacchanalian madness, depicting this catharsis.

Oh Fathers and Teachers, I claim that analysis is not art. Philosophy is not art. Politics is not art. Destruction is not art. Framing is not art. Finding is not art. Thinking is not art. Randomness is not art. Pathology is not art. Everything that a fool does easily is not art.

Fathers and Teachers, I claim that art is rare. Art requires talent. Art requires isolation. Art requires depth. Art requires subtlety. Art requires mystery. Art requires emotion. Art requires inspiration. The artist tells you what he must do, not what you must do.

Fathers and Teachers, I maintain that all art stands upon two legs: craftsmanship and character. Technique is not art. Emotion is not art. Together they may be art. Or not.

Oh, Fathers and Teachers, to the young artist ask first this question: would you rather be the greatest artist of the 21st century and be unknown during your lifetime; or be the richest artist and know the ghosts of Michelangelo and Van Gogh are laughing at you?

We must burn the fields and plow twice and find fresh seed. The error runs too deep. We must change the binary code from 0's and 1's to 3's and 8's. The gravitational forces have become too strong, and the young artist cannot get out of bed, much less hang the sky and kiss the cloudfroth. Even Vincent had to live on the outskirts of a dying star; now he would have to survive on the lip of the Black Hole. We need forty days of rain and a smallish Ark.

All of history lies at our feet. The ground is so rich it stinks of fertility. And yet we paint, or paint over, the same things each morning, shoe and unshoe the same horse ad nauseum. Someone paints a saint and someone else defiles it. A man in Jackson Hole paints a landscape and a woman in New York City rapes herself upon it. All sequels. All reactionary. The avant garde even more than the merest bowl of fruit. The sage of the university says, "but there is nothing new under the sun." Not until we create it, Brother Ass. Refrain from breathing all the available air for a moment, refrain from blocking all the light, and see what lovely vines begin curling out of the earth!





Russian Girl. oil. 28 x 18 in.                              Joachim. charcoal. 16 x 12 in.

0
1
2
3
4
5
6
7
8