Women s Mid Low Low Heel Women Salsa Tango Ballroom Latin s Party Dance Shoes 235924f




Synthetic
Imported
Rubber sole
Faux suede insole
2 kinds heels: 3.5CM/1.3\" and 5.5CM/2.1CM
2 kinds outsole: faux suede outsole for indoor and rubber outsole for outdoor wear
Closed-toe, cross strap, lightweight and comfortable dance shoes
Please check in our size chart before you purchase, if your feet is fat or width, please choose one size up, especially size 9, before you place the order,please measure your feet correctly!

UPDATES   ARTWORKS   WRITINGS   SCIENCE   LINKS   CONTACT   GALLERIES   BIO





Featured art of the Month, Cameo
Click for a closer look


Welcome to the personal art and counter-criticism site of
MILES   WILLIAMS   MATHIS


Resume or CV        blurb        Extended Bio

Co-founder of
La Guilde de la Blanchepierre
(The Guild of the White Stone)



please feed the web-kitty

use PAYPAL










^ The Triptych Altarpiece of ^
Harriet Westbrook Shelley
[15 feet (4.5 meters) tall]
link to detail photos




An Introduction to the Argument
against the Avant Garde

What would he do// Had he the motive and the cue for passion
That I have? He would drown the stage with tears
And cleave the general ear with horrid speech,// Make mad the guilty and appal the free,
Confound the ignorant and amaze indeed// The very faculties of eyes and ears.
                                                                                            
Hamlet

I am the chasm odonton—the mouthful of teeth. The ripper of armchairs: the ghost of Tolstoy, the right arm of Caravaggio, the sword of Cellini.

Beware Ye of Troy, I come bearing gifts. Words that shall bring your houses down upon you.

The artist James McNeill Whistler subtitled his famous book of letters
"Messieurs les Ennemis"Sirs, My Enemies!" That was in 1890. But such joyful antagonism is not stylish these days. It is one thing to quote Nietzsche, as everyone on both sides of every argument now does; it is another thing entirely to write like him....

This is the age of appeasement, of subordination. The artist is no longer the font; he is the shallow pool. Not the oracle, but the sump. The collection point of a thousand polluted expectations. The political tool of the untalented. The residue of education. The

Women s Mid Low Low Heel Women Salsa Tango Ballroom Latin s Party Dance Shoes 235924f - cst-cannes.info

handmaiden of the self-appointed in social criticism.

For the critics have dished it out over the last hundred years, vilifying all, dismissing everyone and everything that could not Women s Mid Low Low Heel Women Salsa Tango Ballroom Latin s Party Dance Shoes 235924f be "pinned and wriggling on the wall."

And the artist was silent.

Under the Women s Mid Low Low Heel Women Salsa Tango Ballroom Latin s Party Dance Shoes 235924f Usurper's rule, modern art has become like Lewis Carroll's four

STELLE 2" Character Dance Shoe (Women/Big Kid) HIPPOSEUS Women s Satin Rhinestone Latin Dance Shoes Ballroom Dancing Shoes,Model AF419 Roymall Women s Satin Latin Dance Shoes Model 217 Capezio 550 Tan Junior Footlight 50 Shades Of Red Dance Dress Shoes:Comfort Evening Dress Wedding Pumps, Ballroom Shoes For Latin, Tango, Salsa, Swing, Theather Art by 50 Shades (2.5", 3" & 3.5" Heels) , Women s Ballroom Dance Shoes Tango Wedding Salsa Shoes S9278EB Comfortable-Very Fine 2.5" [Bundle of 5] 50 Shades Of Red Dance Dress Shoes:Comfort Evening Dress Wedding Pumps, Ballroom Shoes For Latin, Tango, Salsa, Swing, Theather Art by 50 Shades (2.5", 3" & 3.5" Heels) TTdancewear Women Ballroom Dance Shoes Latin Salsa Bachata Performance Sparkly Dance Dancing Shoes , 50 Shades Of Tan Dance Shoes:Comfort Evening Dress Wedding Pumps, Ballroom Shoes For Latin, Tango, Salsa, Swing, Theather Art by 50 Shades (2.5" & 3" Heels) , Bloch Dance Women s Show-Tapper Tap Shoe Capezio Women s FF01 Freeform Ballet Shoe Minishion QJ6232 Women s Buckle Suede Ballroom Latin Salsa Tango Dance Shoes , 50 Shades Of Animal Print Dance Dress Shoes Collection, Wedding Pumps: Women Comfort Ballroom Shoes For Latin, Tango, Salsa, Swing, Theather Art by Party Party (2.5", 3" & 3.5" Heels) , TDA Women s Ankle Strap Comfort Knot Satin Salsa Tango Ballroom Latin Modern Dance Wedding Shoes DiMichi Lena Leather Insole Heel 2" Ballroom Shoes Pleaser Women s Delight 609RBS Ankle Strap Sandals Abby 004 Womens Body Strap Latin Peep-toe Lace Professional Dance-shoes Capezio Dance Women s Jelz Footundeez H07GS PINGYE Hiking Shoes Mountaineering Shoes Outdoor Walking Sneakers for Men Women HS996 , Gold Pigeon Shoes 50 Shades Of Men Standard 1" Heel Dance Dress Shoes Collection (Wide Width Available): Comfort Ballroom, Standard, Smooth, Latin, Salsa, Theather Art by Party Party S305 Black Leather 50 Shades Of Tan Dance Shoes:Comfort Evening Dress Wedding Pumps, Ballroom Shoes For Latin, Tango, Salsa, Swing, Theather Art by 50 Shades (2.5" & 3" Heels) Abby Womens Sexy Fashion T-bar Latin Modern Tango Cha-cha Custom Heel Peep-toe PU Professional Dance-shoes Bloch Women s Amalgam Canvas Dance Sneaker , 50 Shades Of Black Dance Shoes Collection I, Comfort Evening Dress Wedding Pumps: Women Ballroom Dance Shoes For Latin, Tango, Salsa, Swing, Theater Art by Party Party (2.5" & 3" Heels) , Gold Pigeon Shoes Party Party SERA1692 Comfort Evening Dress Pump, Wedding Shoes: Women Ballroom Dance Shoes High-Medium Heel, Salsa, Tango, Latin, Swing Salsa Tango Swing Latin , 50 Shades Of Gold Dance Shoes Collection, Comfort Evening Dress Wedding Pumps, Ballroom Shoes For Latin, Tango, Salsa, Swing, Theather Art by 50 Shades (2.5" 3" & 3.5" Heels) TDA Women s Comfort Low Heels Synthetic Mary Janes Latin Modern Dance Shoes , Abby 59 Womens Masquerade Party Tango Peep Toe Customize Heel Lint Prom Wedding Dance Shoes CAPEZIO Womens cambre (1128W) -Petal Pink
branches of arithmetic: "ambition, distraction, uglification and derision."

And the artist was silent.

In the Teva Women s Verra Sandal Bering Sea , PUMA Men s Wild Plus Athletic Sandal Peacoat-blue Danube , Wolky Comfort Jewel 12750 Lime Nubuckleather , Gold Pigeon Shoes GP6888 Adjustable Durable Outdoor Water Slide Sandal Slippers for Men Women Kids (Size: T10 & up) 7559 Black , Finoceans Women’s Sandals Flip Flops Beach Slipper Shoes Tong Retro Slim Black+red , Danner Men’s Kinetic 8 GTX Uniform Boot Black Reebok Men s Sublite Cushion RB8806 Military and Tactical Boot Black , Reebok Work Duty Men s Rapid Response RB RB8694 6" Tactical Boot Tan Timberland PRO Men s Euro Hiker Alloy Toe Waterproof Industrial and Construction Shoe Brown Full Grain Leather Bloch Dance Women s Dansoft Full Sole Leather Ballet Slipper/Shoe White , Capezio Women s Chorus Character Shoe Sperry Top-Sider Women s Walker Wind Rain Boot Black Quilted Nylon Minishion Women s Fashion Performance Salsa Tango Ballroom Latin Dance Sandals Mens Warm Winter Boots Slip-On Fully Fur High Top Womens Ankle Bootie Unisex Outdoor Shoes Z-black , Romika Mikado 96 Multicolor , Stuart Weitzman Women s Highstreet Motorcycle Boot Walnut RF ROOM OF FASHION Brut-22 Glitter Slip On Chunky Heel Over The Knee Sock Stretchy Fitted Boots Black , ECCO Women’s Classic Hybrid Golf Shoe White/Teaberry , Arcopedico Women s L15D Slip On Loafers Shoes Black Skechers Performance Men s Go Golf Elite 2 Golf Shoe Black Walstar Women Casual Rhinestone Glitter Mesh Slip On Ballet Flat Lightweigh Rota-silver , Trotters Women s Arnello Ballet Flat Grey Crocodile , adidas Originals Men s Superstar Adicolor Blue/Blue/Blue , HEAD Revolt Pro 2.5 Men s Tennis Shoe White/Red VANS MENS SK8 HI REISSUE LEATHER SHOES Checkerboard Black/True White Converse Skate One Star Pro Ox Suede Backed Canvas Hot Cocoa / Black / White Milesline England Brogue Shoe Womens Lace-up Mid Heel Wingtip Oxfords Vintage PU Leather Shoes Black Emerica Men s Wino Cruiser X Sriracha Skate Shoe Red/White , Vans Unisex Old Skool Classic Skate Shoes Suede Spiced Coral , Vans Unisex Old Skool Classic Skate Shoes Black/White protracted squabblings among these purveyors of taste, both form

Women s Mid Low Low Heel Women Salsa Tango Ballroom Latin s Party Dance Shoes 235924f - cst-cannes.info

and content have deconstructed; and the homunculi and homunculae have ascended the throne, naming their horses and gerbils co-consuls.

And the artist has remained silent.

But as Whistler—the Master of Badinageput it, "Art, that for ages has hewn its own history in marble and written its own comments on canvas, shall it suddenly stand still and stammer, and wait for wisdom from the passer-by, for guidance from the hand that holds neither brush nor chisel? Out upon the shallow conceit!"

It is time for the artist to speak! To crawl out from under the woodpile and to stamp his feet. To reclaim the armor of Athena and demand his inheritance from the Witchking. To bend the bow and pierce the axeheads and slay the suitors. To load the sling.

It may be asked, what of the other "artists?" What of the ironmongers, the paintspillers, the gluemen, the undertakers? Isn't your quarrel with them? No. There are no artists in that quarter. Only critics. Critics who flap and critics who chirp. But the critics who chirp are the louder. It is the critics who explain the onanism, the mastication, the ululation and defecation who must be outslandered, outbuggered, undercut and overtopped. Trimmed and fluffed. Defeathered and retarred.

It is thought that I am mad. But follow me through the gentle maze, and listen. Clement Greenberg, the Pope of Presumption, said of painting in Women s Mid Low Low Heel Women Salsa Tango Ballroom Latin s Party Dance Shoes 235924f 1949:

Though it started on its "modernization" earlier perhaps than the other arts, it has turned out to have a greater number of expendable conventions embedded in it, or these at least have proven harder to isolate and detach. As long as such conventions survive and can be isolated, they continue to be attacked in all the arts that intend to survive in modern society.

Here is the green worm at the core. The seed of the wart. Because Mr. Greenberg could smoke more cigs than anyone else, he got the title page, the banner, the masthead, and everyone since has written in very small letters
I must make art that is about art over and over until the book is finished, the corpse burned and the ashes scattered. A non-artist will tell us what artistic conventions are expendable. The most galling thing though is that "intend to survive" threat. As if the artist need justify his existence to the critic. But I am the primary producer here: you can justify yourself to me, you future footnote, you Eunuch of the Muses!

Arthur Danto wrote, in 1995,

It was as though there were some internal historical development in the course of which art came to a kind of philosophical self-awareness of its own identity. In a curious and somewhat Ballet & Dance perverse way, I thought, art has turned into philosophy. From now on the task is up to philosophers, who know how to think in the required way.

Arthur Danto, former philosophy professor, Columbia University. Now art critic, The Nation. I have only one question. A question of grammar. Does "in a curious and somewhat perverse way" modify "art has turned" or "I thought"?

Basta! Finito! The whole claim of modern art is so absurd it isn't worth pursuing any further! The very existence of such theories, their acceptance by anyone, is cause for a decade of Weltschmerz, of weeping and rending of tunics. It may seriously call for some sort of ritual cleansing, an act of purification, an offering to the gods. A bevy of frenzied virgins to tear some smug bastard in Soho limb from limb for his sins to art. At least an off-Broadway tragedy of Sophoclean splendor, with wild-haired Corybantes whirling in their bacchanalian madness, depicting this catharsis.

Oh Fathers and Teachers, I claim that analysis is not art. Philosophy is not art. Politics is not art. Destruction is not art. Framing is not art. Finding is not art. Thinking is not art. Randomness is not art. Pathology is not art. Everything that a fool does easily is not art.

Fathers and Teachers, I claim that art is rare. Art requires talent. Art requires isolation. Art requires depth. Art requires subtlety. Art requires mystery. Art requires emotion. Art requires inspiration. The artist tells you what he must do, not what you must do.

Fathers and Teachers, I maintain that all art stands upon two legs: craftsmanship and character. Technique is not art. Emotion is not art. Together they may be art. Or not.

Oh, Fathers and Teachers, to the young artist ask first this question: would you rather be the greatest artist of the 21st century and be unknown during your lifetime; or be the richest artist and know the ghosts of Michelangelo and Van Gogh are laughing at you?

We must burn the fields and plow twice and find fresh seed. The error runs too deep. We must change the binary code from 0's and 1's to 3's and 8's. The gravitational forces have become too strong, and the young artist cannot get out of bed, much less hang the sky and kiss the cloudfroth. Even Vincent had to live on the outskirts of a dying star; now he would have to survive on the lip of the Black Hole. We need forty days of rain and a smallish Ark.

All of history lies at our feet. The ground is so rich it stinks of fertility. And yet we paint, or paint over, the same things each morning, shoe and unshoe the same horse ad nauseum. Someone paints a saint and someone else defiles it. A man in Jackson Hole paints a landscape and a woman in New York City rapes herself upon it. All sequels. All reactionary. The avant garde even more than the merest bowl of fruit. The sage of the university says, "but there is nothing new under the sun." Not until we create it, Brother Ass. Refrain from breathing all the available air for a moment, refrain from blocking all the light, and see what lovely vines begin curling out of the earth!





Russian Girl. oil. 28 x 18 in.                              Joachim. charcoal. 16 x 12 in.

0
1
2
3
4
5
6
7
8